Dirtywood ft. Myk Freedman
February 22 /9:30 pm February 23 /12:00 am
Bandleader Rebecca Hennessy is a high-in demand trumpeter, composer and arranger in Toronto’s rich music scene. She also leads Makeshift Island, co-leads for Hobson’s Choice, Way North and Sweet Pea, is the musical director for Massey Hall’s Annual Women’s Blues Revue. She is also a regular band member in the Woodshed Orchestra, DRUMHAND, and Skeleton Crew, to name a few.
As a composer, Rebecca’s music has been featured as part of the Spectrum Music Series, on CBC radio (Hobson’s Choice) at Massey Hall for the Women’s Blues Revue and in various concert venues across Canada.
Dave Clark is a drummer/multi-instrumentalist/vocalist, Gemini Award winning composer, music student, music educator, author, poet, record producer, audio mastering engineer and the leader of the WoodChopper’s Association improviser’s orchestra.
Dave has been lucky enough to have performed with such diverse artists as the Dinner is Ruined, the Nihilist Spasm Band, Jah Youssouf, Vieux Farka Toure and Mansa Sissoko of Mali, West Africa, mezzo soprano Jean Stillwell, Plunderphonics mastermind John Oswald, legendary drummer Neil Peart of Rush, the Sun Ra Arkestra, the Woodshed Orchestra, the Rheostatics, Jean Derome, Gord Downie of the Tragically Hip, trumpeter Lina Allemano, Rich Underhill of the Shuffle Demons, Tannis Slimmon, the Shrine of Impossible Love, Joe Lapinski, Runcible Spoon, Madagascar Slim, Sook-Yin Lee, Jo Ann Hetu, Rock Plaza Central, Wayne Omaha, Trish O’Callaghan, Michael Johnston, the Williams, Mihirangi, Eliza Gilkyson, Carolyn Mark, GUH, Lewis Melville, Andrew Downing, Les Blancs Brilliants, dancers Andrea Nann, Rex Harrington, Yvonne Ng, Kate Alton, Shannon Cooney, and Susie Burpee, poets Paul Dutton of the CCMC and Jim Carroll author of the “Basketball Diaries”, created soundtrack work for Nick Deponcier, Audrey Huntley, co-created soundtrack music with the Rheostatics for Martin Scorsese “Naked in New York” and Richard J. Lewis “Whale Music”, worked with theatre artists Tina Rasmussen, Jane Wells, Suitcase in Point of St. Catherines Ontario, Theatre Junction of Calgary Alberta, One Yellow Rabbit Theatre Company of Calgary Alberta, Installation Artists Sherri Hay, Fastwurms, Walter Willems, Mike Murphy and many others.
Dave has studied with master drum teacher Jim Blackley of Barrie, Canada, Bata music master Gilberto Morales Chiong of Matanzas Cuba, British guitarist and composer Fred Frith, and saxophonist David Mott of Toronto, Canada.
Dave is the author of “A Month of Sundays” poetry collection and the music instructional text “How to Conduct…Yourself! Conducting Cues For Instant Musical Composition”.
Dave has produced/ co-produced recordings by the the Williams, Joe Lapinski, Michael Johnston, the Inbreds, By Divine Right and the WoodChoppers Association. He has mastered audio works by the Rheostatics, Han Bennink, Sam Larkin, Dave Reed and Zunior.com amongst others.
Mr. Clark teaches music at his studio in Toronto, Canada as well as leading his Improviser’s Woodshed music workshops at public, secondary and post-secondary schools, as well as at music festivals, in art galleries, for theatre companies and for various bands.
Michael Herring is a double-bassist and composer based in Toronto who writes, performs and records across genre lines, equally comfortable in jazz as in roots settings, including folk, world, and pop/rock.
Herring has toured around recorded in North America, Europe, and Korea with his ensembles as well as sharing the stage with such great musicians as: David Binney, Bucky Pizzarelli, Bernie Senensky, Ab Baars (ICP/Amsterdam), Ken Vandermark, Jah Youssouf (Mali, Africa), Mansa Sissoko (Mali, Africa), David Braid, Kirk MacDonald, Dave Clark, P.J. Perry, Tannis Slimmon, Harry Manx, Lina Allemano, William Carn, Percy Sledge, Ernest Ranglin, and Brinsely Forde (Aswad). Herring’s compositions and arrangements have been featured in the repertoires of many ensembles, including he wrote the soundtrack to the short film In Harms’s Way.
Herring grew up in Victoria, B.C., then moved to Toronto, where he studied with Canadian Jazz greats David Young and Don Thompson at the University of Toronto’s Jazz Performance Program. He has been invited to attend the Banff International Jazz Workshop twice (2000, 2003) and lived in New York (2004). He has also studied with Mark Helias, Drew Gress, Dave Douglas, Kenny Werner, Joe Lovano, Joey Baron, Tony Malaby, Angelica Sanchez, Johannes Weidenmueller, James Genus, and Mark Turner, as well as with world-renowned bassists Rufus Reid and Ray Brown.